this time with a) all the quotes in chronological order, and b) Weird Catilina Reception Plays!

Cic. Cael. 12 trans. Charles Duke Yonge


[Catilina was] such an amalgam of natural inclinations and passions that were contradictory, divergent and
at war with one another.

tam ex contrariis diversisque atque inter se pugnantibus naturae studiis cupiditatibusque conflatum.


Sal. Cat. 61 trans. Rev. John Selby Watson


Catiline himself was found, far in advance of his men, among the dead bodies of the enemy; he was not quite breathless, and still expressed in his countenance the fierceness of spirit which he had shown during his life.

Catilina vero longe a suis inter hostium cadavera repertus est paululum etiam spirans ferociamque animi, quam habuerat vivus, in voltu retinens.

Flor. Epit. 2.12.1.12 trans. Me


The end showed how fierce the fighting had been. Not one of the enemy survived the battle; each man defended the place he had taken during the fighting with his breathless corpse. Catilina was found far from his men, among the bodies of his enemy—
a most beautiful death, if only he had fallen thus on his country’s behalf.

Quam atrociter dimicatum sit, exitus docuit. Nemo hostium bello superfuit; quem quis in pugnando ceperat locum, eum amissa anima corpore tegebat. Catilina longe a suis inter hostium cadavera repertus est, pulcherrima morte, si pro patria sic concidisset.

Ben Jonson, Catiline His Conspiracy


PETREIUS:

Whilst Catiline came on, not with the face

Of any man, but of a public ruin:

His countenance was a civil war itself;

And as, in that rebellion ‘gainst the Gods,

Minerva holding forth Medusa’s head,

One of the giant brethren felt himself

Grow marble at the killing sight, and now,

Almost made stone, began t'inquire, what flint,

What rock it was, that crept through all his limbs,

And, ere he could think more, was that he fear’d;

So Catiline, at the sight of Rome in us,

Became his tomb: yet did his look retain

Some of his fierceness, and his hands still mov’d,

As if he labor’d, yet, to grasp the state,

With those rebellious parts.

CATULUS:

A brave bad death.

Had this been honest now, and for his country,

As 'twas against it, who had ere fallen greater?

George Croly, Catiline


HAMILCAR (anxiously):

Is Catiline slain?

CETHEGUS:

How dare you name him?

HAMILCAR (with haughtiness):

Is the rebel dead?

CETHEGUS:

Dead or alive, he’s glorious! In the rout

That bore him backwards o’er the fatal trench,

 

I saw him fighting, with a giant’s strength […]



i’ve been reading “sappho through english poetry”, edited by peter jay and caroline lewis. it’s a bunch of poems that are translations or versions of or inspired by the poetry of sappho, all in chronological order. so you can see Trends! here are some midnight thoughts:

“the last song of sappho” by felicia hemans is a poem i now like A Lot.  “Sound on, thou dark unslumbering sea!” yes! big mood! it also starts with a nice little paratext about how the poem is an ekphrasis of a sketch the poet saw. an extra layer that sappho has travelled through to get to this poem. 
Yet glory’s light hath touch’d my name,
The laurel-wreath is mine—
—With a lone heart, a weary frame—
O restless deep! I come to make them thine!

Give to that crown, that burning crown,
Place in thy darkest hold!
Bury my anguish, my renown,
With hidden wrecks, lost gems, and wasted gold. 
look at the metre too! it’s (iambic) tetrameter, trimeter, tetrameter, pentameter. the alternation between even and odd numbers of beats per line makes it almost sway like the sea it describes... that’s cool... and the last two lines of that second couplet also just slap like is sappho saying she and her poetry are also “hidden wrecks, lost gems, and wasted gold”? 

but mostly i’ve just been thinking about whether there’s a significant different between metrically asymmetrical lines (iambic pentameter) and symmetrical lines (alexandrines). and if so what. 

It's The Anniversary Of Cicero's Death. this is an experiment! i'm gonna write my Thoughts on This Play as i read it. there are gaps in the text there but i have the complete text in "drama of the english republic 1649-60" edited by janet clare.

CAESAR'S GHOST:

So,

Now stubborn Rome, I'll thunder forth they woe.

Caesar must be revenged, and to thy cost.

Alas, thy canst not bribe my wronged ghost

With the vain fiction of thy Julian star.

Read more... )


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